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Cilt 5, Sayı 22  Bahar II 2016  (ISSN: 2146-9903, E-ISSN: 2147-3056)
Ezgi TOKDİL

NO Makale Adı
1462537162 COLOR THEORIES AND PHENOMENOLOGICAL APPROACH TO COLOR PERCEPTION IN THE CASE OF ANDRE LHOTE

In the study, are addressed to color - form relations, color effects, color tonal characteristics, color contrast and complementarity principles by starting Newton, Goethe, Itten, Kandinsky and Klee's color theory and discourse on color. Besides being a qualitative element of on art work, color perception is analyzed to be a phenomenon that shaped by the artist's point of view to the nature and the expression element that the internal life independently from the form. And thus, observed that the orientation from the object to the subject's sense in te historical process. In this regard, sampling the received images of Andre Lhote, in terms of Klee and Goethe's the principle of color contrast, are analyzed by creating color tables. Finally, examining what is the phenomenology, a study on color perception models were created according to the phenomenological approach. In line with the phenomenological approach are resolved that degree of proximity- distance from the artist's distance of perception to knowledge of the essence of color

Keywords: Theories of Color, Theory of Color Contrast of Itten, The principle of Color Contrast of Klee, Kandinsky, Phenomenological Approach, Andre Lhote