İdil Sanat ve Dil Dergisi
Cilt 6, Sayı 33  Yaz I 2017  (ISSN: 2146-9903, E-ISSN: 2147-3056)
Süleyman İRGİN

NO Makale Adı

Art has developed in a direction parallel to humanity and has become a humanitarian narrative by constantly changing. Individuals and individuals have expressed their feelings and thoughts through art for centuries. If art should be defined as a method of inquiry or inquiry, or as a language, it can be said that this language and narration have changed and developed in parallel with and in parallel with humanity. Art that is fed from culture is also in constant interaction with the concept of "culture" in this axis. And at the same time, the concept of "culture" has found its place in many different disciplines as daily. Many areas are defined from philosophy to sociology, economics to anthropology. The dilemma of man and art has entered into a way that can not be reversed by the period of enlightenment, and modernity and modernization have become a problem of art. Nowadays, it is obvious that art is not just a coloration made on the surface. Especially in this 21st century, where tendencies and understandings prevail, it is possible to see that the waste also takes its place in art spaces. The different phenomena, situations and concepts that Art Povera (Poverty Art) artists, especially those on which each of the artists bring together organic and inorganic materials, examine natural and unnatural processes and cultural material-motifs and try to make various nature experiences visible can be mentioned.

Key Words: Art, Culture, Art Poverty and 21. Century