Hakkı Derman (1907-1972), one of the most important violin players in 20th century, with his execution being indigenous Turkish Music execution and his idiocratical manner, has led and influenced violin players coming after him. In this work, it was aimed to make analysis of ornament techniques, string techniques, rhythm features, personal motives and pozitions were used in Hakkı Derman’s Hicazkar taqsim, and it was aimed to make exerises starting from this point, with the aim of using violin education. Survey model was used in this work. Datas were obtained by using document review and literatüre review techniques. Hakkı Derman’s Hicazkar taqsim was notated and categorical content analysis was maked on this notated taqsim. In this direction, were understood most used ornament technique is grace note and most used string technique is legato string technique in Derman’s Hicazkar taksim. In this direction, were determined most used ornament technique is grace note and most used string technique is legato string technique in Derman’s Hicazkar taksim. Hakkı Derman presented his manner with his idiosyncratic rhythm usages and personal motives created by his ornament techniques.There were created exercises oriendted ornament techniques, personal motive and rhythm features, lastly manner features creating Derman’s manner.
Keywords: Turkish Music, Violin, Hakkı Derman, Analysis of Taqsim, Turkish Music Violin Exercises