İdil Sanat ve Dil Dergisi
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Cilt 7, Sayı 51  Kasım 2018  (ISSN: 2146-9903, E-ISSN: 2147-3056)
Osman ALTINTAŞ, Erol Murat YILDIZ

NO Makale Adı
1540369798 A DISCRIMINARY AND UNIFIED DIALECTICS “MARILYN DIPTYICH”

Pop art has emerged as a reaction to the status quo, in part, like all the art movements that have left its mark on art history. There is no doubt that Andy Warhol is the main actor of the dominance of the pop art movement all over the world. Having taken many marginal attitudes to his 59-year life adventure, Warhol had a bold and determined line that would never hesitate to make materials of art the material names of commodities, iconic fame and the names of sovereign politics. Andy Warhol admired to a degree as obsessive to Marilyn Monroe as the cult movie star and sex symbol of the 1950s. Id Marilyn Diptich was one of 20 different print works by Andy Warhol immediately after the death of Marylin Monroe, who died of an overdose of drugs in 1962. In the 1953 film ar Niagara farklı by Marilyn Monroe, the image used by 50 portrait images taken by Gene Korman was heavily engaged by art critics, and was the source of different perspectives in terms of identifying Warhol's concerns about work.
Key words: Andy Warhol, Popular Culture, Pop Art